VFX Artists Recreate Groundbreaking Disney Special Effect Lost For 58 Years
HomeHome > Blog > VFX Artists Recreate Groundbreaking Disney Special Effect Lost For 58 Years

VFX Artists Recreate Groundbreaking Disney Special Effect Lost For 58 Years

Oct 15, 2024

Your changes have been saved

Email is sent

Email has already been sent

Please verify your email address.

You’ve reached your account maximum for followed topics.

VFX artists recreate a groundbreaking Disney visual effects technique that had been thought lost for almost six decades. In 1963, Walt Disney produced Mary Poppins, which starred Julie Andrews and Dick Van Dyke. This movie made use of a special glass prism, one of only three ever made, to pull off its more ambitious VFX sequences. This technique, however, known as the sodium vapor process, would eventually be lost to time.

In a recent video, the VFX artists at Corridor Crew recreate the sodium vapor process using a replica prism created by researcher Paul Debevec. Check out the video below:

The video breaks down exactly how the process works, with the beam-splitter prism diverting light through the camera lens onto two different strips of film at the same time. One of these strips features only a sodium vapor wavelength while the other picks up everything else. This allows for cutouts of actors and props without the downsides that come with using a green screen.

Disney+ is home to some great movies including animated classics, Marvel, Pixar, Star Wars, and so much more. Here are the best available.

As is explained in the video, the beam-splitter prism isn't easy to make. At the time, it would've cost many tens of thousands of dollars to make just one, and it would have been hard to replicate this process and create identical units. Being able to consistently replicate not only the prism but also its results would have been crucial to the technology catching on, which is probably why it fell out of fashion. Green screen, after all, is more cost-effective and more hastle-free, despite its shortcomings.

Green and blue screen are still widely used today, but advancements in the world of VFX have allowed them to become more effective. Machine learning and AI, for example, a hot button issue in Hollywood, are already impacting action VFX work in positive ways. Entirely new technologies have also been invented that serve similar purposes, including ILM's StageCraft, also known as The Volume. This tech is famously used to bring The Mandalorian to life, but it has been used on productions like The Batman, Thor: Love and Thunder, and even Steven Spielberg's The Fabelmans.

AI was a crucial point of contention in the dual WGA and SAG-AFTRA strikes last year.

VFX technology and techniques continue to advance, with 2022's Avatar: The Way of Water arguably presenting some of the most breathtaking digital effects ever put to the screen. AI in Hollywood will continue to be a divisive issue, but there's no denying that it has been and will continue to drastically evolve the way VFX work is done in the years ahead. While Disney's prism no longer makes sense in today's age, it was evidently a crucial stepping stone.

Source: Corridor Crew

Your changes have been saved

Email is sent

Email has already been sent

Please verify your email address.

You’ve reached your account maximum for followed topics.

Russell Crowe's divisive epic Noah, which earned more than $359 million, gets a glowing review from VFX artists at Corridor Crew 10 years later.

From Harvey punching Louis over Esther to the infamous “The Donna,” Suits had some storylines and B-plots that many prefer to pretend never happened.

One of Stephen King's most terrifying villains gets even more scary after this link sparks a bigger theory about Pennywise's fate and powers.

"The Bends" are slang for life-threatening decompression sickness, which deep-sea divers can get from surfacing too quickly after a dive.

Dragon Ball Daima episode 2 is set to introduce a new character by the name of Glorio. Here's how to tune in and watch the latest episode.

NCIS season 22 had huge reveals for the season ahead, finally resolving major cliffhangers from the NCIS season 21 finale, like Knight’s fate.

Writer Josh Williamson tells Screen Rant he's planning to stay on the new G.I. Joe series for a long time, promising big stories in the years to come.

Disney Green screen, after all, is more cost-effective and more hastle-freeDisney